Desert Diaries by K. Yoland jumps from location to location and back and forth through time. As a shapeshifting text, it takes the form of travel log, surveillance device, memory bank and teleporter. The diary entries are entered by an outsider who takes a journey through different parts of the Southwest deserts of the United States, meeting land, humans and more-than-humans. The traveller has many roles, including witness, listener, ghost-whisperer, guest and target. Desert Diaries started in 2012 when Yoland first parachuted into the desert. The work shares the often invisible and suppressed stories of migration, poverty, loss, borders and power. In the format of a journey, it weaves through borderlands, public lands and military zones, going off the grid and then into the heady cities that bookend these desert dwellings.
The performative reading of Desert Diaries by K. Yoland is supported by Berlin based artists Chang Gao and Anna Karoline Müller.
K.Yoland is a transdisciplinary artist examining territoriality and power across large scale terrain, urban planning and international borders. Incorporating performance, video, text, installation and photography, the body or its impact is ever present. Engaging expanded modes of fiction, absurdity and action-interventions, Yoland’s projects have been developed across Europe and the United States. Among Yoland’s most notable exhibitions are Plymouth Biennale (UK), Alabama Contemporary Art Center (Mobile), Ringling Museum (Sarasota), Pulse PLAY (Miami), Lisson Gallery (London), Talley Dunn Gallery (Dallas), Turner Contemporary (Margate), Marfa Contemporary (Marfa), Alan Cristea Gallery (London), CZKD (Serbia), Center for Book Arts (NYC), Novosibirsk State Art Museum (Novosibirsk) and Nederlands Fotomuseum (Rotterdam). Yoland has a Masters from Slade School of Fine Art (UCL) and is currently a PhD Candidate and LAHP scholar at Royal College of Art.